My Pain Cannot Be Described in Words Karaoke The Stinky Singer The Future in Small Doses Ruins in Space Dancing, Smoking, Kissing Dropping A Yassin Dynasty Vase Yassin Dynasty The Impossible Works Of Raed Yassin China My Last Self-Portrait Disco Kairo The Best Of Sammy Clark The New Film Man Running In Magnetic Field Islamic Writing Horror is Universal Self Portraits with Foreign Fruits And Vegetables Tonight Final Destination Untitled Postponed Noon King Of Disco Morning With Najwa Karam Featuring Hind Rostom CW tapes ,Beirut
Dropping A Yassin Dynasty Vase
Documentation of a Performance
Archival Inkjet on Archival Fine Art Paper
120x90 cm each
Dropping a Han Dynasty Urn (1995) by Chinese artists Ai Weiwei is a photo-triptych documenting the fleeting performance announced in the work's title. Weiwei holds in his hands an ancient (roughly 2,000 years-old) vase in the first photograph, cops it in the next, and the vase smashes in the third. Creating an antique ready-made, a concept/artifact that characterizes a large part of his body of work, the artist examines and critiques dominant notions of history ,heritage, culture, and preservation.
In 2011, I travel to Jingdezhen, one of the porcelain capitals of China, to fabricate seven porcelain vases depicting key battles of the Lebanese civil war. The work sought to synthesize the ancient tradition of narrating epic battles and mythologies, the intricate fabric of the oral and written histories of the Lebanese civil war, and the decorative-reproducible condition of the object itself into a material testimony of global art production, estrangement, and the appropriation/translation of cultural heritage.
Commissioning a Lebanese illustrator and Chinese ceramic masters to realize the work, a circuit of collaboration and delegation was set up, reflecting on questions of centralized authority and authorship. Choosing to produce this work in Jingdezhen was not the result of an attraction or interest in a globalized, trending, and low-cost mode of globalized production. In fact, Jingdezhen, is one of the least "global" cities in China. Instead, the work was a gesture of geographic and cultural migration, by which a Lebanese history is represented according to Chinese craftsmanship and aesthetic affinities.
Dropping a Yassin Dynasty Vase is a photo-triptych documentation of a performance held for a few seconds in Jingdezhen, one that is both embedded within and critical of the assembly lines of global art production. The photographs capture the destruction of one of the prototypes of one of the vases that ended up in the series Yassin Dynasty. The triptych's title (Dropping …) also discloses an attitude that is simultaneously cathartic and cynical to a personal and familial history, to a "dynasty" with no authority. Dropping a Yassin Dynasty Vase is a parallel work, an homage, and a copy of Weiwei's Dropping a Han Dynasty Urn.